31 July 2009
See-Through, Light-Transmitting Concrete
Concrete has a sometimes-bad reputation as a harsh, rigid, cold-to-the-touch and straight-edged material. Litracon is doing a great deal to change that image of concrete through a score of creative and sustainable applications for their patented light-transmitting concrete.
Filled with optical fibers that run from one end of a poured piece of concrete to the other, these prefabricated blocks and panels effectively transmit light from one side to the other. Colors and light remain remarkably consistent from end to end, but with a natural variation from the pouring process that actually softens the effects considerably.
The fibers can transmit light to over 50 feet and, as they occupy only a small percentage of the total concrete block or panel, they do not significantly effect the structural capabilities of the poured pieces.
One could imagine all kinds of artistic as well as functional applications for this new-and-improved form of concrete. Daylighting possibilities abound and all with potentially much lower heat loss and cost and with greater durability.
Perhaps best of all it puts another broad-ranging, highly versatile material choice in an architect’s or builder’s structural tool kit – what designers do with this solid-but-see-through substance ultimately will probably surprise us all.
30 July 2009
The Ultimate Convertible
Those photos are real and were made during the filming of the Russian movie involving jet fighter stunts. In one episode they had to film the jet without a canopy, so rather to film it on the ground they decided to hire a high-class pilot to make a real flight without that glass thing. He had to take off a few times on such plane in order to film enough material to be included in the final footage.
“The maximum speed I achieved on the jet plane without a canopy glass was around two times greater than speed of sound. While on this speed I even managed to pull out my fingers in glove for an inch or two outside - it became heated very fast because of immense friction force plane undergoes with the air.“, writes the pilot.
“Usually such tests were conducted in winter time, so it was deadly cold without a canopy and I was pretty glad when this heating began, counting minutes before the plane would reach enough speed/velocity so that the air around becomes hot enough. But it wasn’t the main problem for me. In my personal rating of the dangers connected with such tests one of the most bad sides was the extreme roar. Because of this extreme roaring you couldn’t hear the radio so you were flying in deaf mode, you were afraid to pull throttle harder just because going faster was meaning going louder.“, he continues.
Harry Potter in Russia
In Russia Harry Potter is popular too, in fact it was way too popular so some book publishing companies came up with their Harry Potter clones, trying to make it sound close to original even in naming the characters, so the most two popular ones were (and still are) the Porry Gatter with its first book “Porry Gatter and the Stoned Philosopher” - you can see it’s cover above, and the girlish series “Tanya Grotter” - like if Harry Potter was a girl (on the photo below).
Each series got a few sequels and got appreciated greatly by the readers.
Russian Helicopter Stunt
29 July 2009
Eccentricity
The weird thing is -- I actually DO think this is kind of awesome, LOL.
28 July 2009
Stephen Barnett’s Photographic Sculpture
25 Years: Photography and Sculpture Alike
Staten Island, New York: August 3, 2009 -Papouli’s, (9 Hyatt Street), is pleased to present Stephen Barnett’s quarter-century culminated thesis works of, Photographic Sculpture; which are manifestations of the symbiotic relationship between realism and formalism. These works play with the three-dimensional quality of a two-dimensional world. The exhibition will continue through until September 30, 2009.
This commemorative hallmark of Mr. Barnett’s work as an artist honors his perseverance in forging a new syntax into the language of visual art. These exhibited works represent his interpretation regarding, “the art of symbiosis; with nature and humanity both holding the familiarity that ultimately grounds the work,” said Mr. Barnett. “I begin with traditional Black and White film, processing, and printing of Silver-Gelatin Prints, which are the realist elements of the relationship. I then juxtapose the mounted and framed images with gestures of lattice-cut Poplar wood, then usually incorporate found objects, such as: rusted nails, bent wire, and hairpins. Occasionally, I will include a touch of color to draw a line or to highlight. These, ‘added materials,’ are the formalist elements, which spark a harmonized relationship between themselves and the traditional photographed images,” said Mr. Barnett. As a result, his work reminds us of the sentiment within the symbiotic relationship between Yin and Yang.
The project is made possible in part by a Staten Island Creative Communities Grant from the Council on the Arts & Humanities for Staten Island, and with public funding from the New York State Council on the Arts.
26 July 2009
25 July 2009
Opportunities for Art in Stalled Sites
With many buildings slowed down or outright canceled by the economic downturn, there are a lot of vacant lots. Rather than leave these as scars in an urban context, some people have been proposing that they be used for interim art installations. One of these is a Sebastapol artist Ned Kahn who wants to turn an empty construction site at 535 Mission St. in San Francisco (one of the hardest hit markets for construction and development), now covered by gravel, into what he calls "Memory of Water" -- a lake bed of sorts, created by shimmering metal discs.
Kahn glimpsed the 535 Mission parcel, "the white field reminded me of Mono Lake ... what a cool opportunity to squander the better part of a city block on something useless but glimmering, for reasons of beauty and aesthetics."
This impulse translated into a scheme that would take the concave concrete seal on the excavated site and use it as the frame for what Kahn likens to "a trampoline for the wind, a soft and compliant surface."
Hooks along the perimeter of the cap would support a taut net of thin steel cables; that delicate grid in turn would brace a field of grainy metal discs that move independent of one another, the shimmer from a passing breeze likely to ripple across the rectangular lot.
The concept is distilled yet alive, one that if constructed would offer an ethereal counterpoint to the financial district swirl. And not just for pedestrians: "It'd be very entertaining for all the people in the buildings that look down" on the site, Kahn said. "There are a lot of eyes up there."
24 July 2009
John Pugh's Trompe l'oeil Murals
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At first glance, it looks as if some natural disaster has shaken away the walls of these buildings to reveal architecture hidden for thousands of years.
And at second and third glance, it looks like that too.
But these spectacular images are not the unexpected result of an earthquake.
Treasure trove: An Egyptian style mural adorns a wall in Los Gatos, California. Pugh paints people into the mural to heighten the 3D effect
Greek tragedy: But the Doric-style columns apparently exposed in this university hall are nothing but paint.
The incredibly lifelike scenes are actually huge works of art, painted on the side of perfectly intact buildings. Even that woman peering into the ruin above is not real.
The paintings, which have fooled many, were created by John Pugh, who specializes in trompe l'oeil - or 'trick of the eye' - art. He uses his skills to delude the viewer into seeing 3D scenes painted on flat surfaces. The Californian-born artist said: 'It seems almost universal that people take delight in being visually tricked.'
His works can been seen all over the world, including in the artist's home state. The 'earthquake' work shown here is located on Main Street in the town of Los Gatos and was created following a genuine earthquake in 1989. The temple-like interior apparently exposed features jaguar gods, regarded as the creators of earthquakes by the Mayans.
Wonder wave: John Pugh's Mana Nalu mural in Honolulu. Fire crews rushed to save the children from the mighty wave - before realizing it was an optical illusion
Blurring the lines: A mural entitled Art Imitating Life Imitating Art Imitating Life, at the Cafe Trompe L'oeil, in San Jose, California
Another picture is of Taylor Hall at the California State University, Chico, where Pugh studied. The mural features Doric-style Greek columns behind the seemingly shattered wall and is called Academe.
Another work, featuring a colossal wave about to crash on to a pavement in Honolulu, Hawaii, took two months of studio work to plan and a further six months to execute with the help of 11 other artists. Queen Lili'uokalani, the last monarch of the Hawaiian Islands with Duke Kahanamoku - the ultimate father of surf. The scene is so realistic that just as it was near completion, it attracted the attention of the fire brigade, which stopped its truck in the middle of traffic. Mr Pugh said: ''They jumped out to rescue the children in the mural. They got about 15 feet away and then doubled over laughing when they realized what it was.'
Having a cow: Valentine's Day, a mural unveiled during the Global Mural Conference in Twentynine Palms, California
Trick of the eye: John inserts a passer-by into the mural painted in Santa Cruz, California, entitled Bay in a Bottle, who is watching the ocean scene
Take a pew: This looks like a nice spot to rest your weary feet on a sidewalk in Sarasota County Health Center, Florida
Artist's impression: John Pugh hard at work. He is currently working on murals for a police station in California and a recreation centre in Calgary, Canada.
This is the desired effect and Pugh enjoys the community-bonding properties of his public works. He works on a large scale in public and residential areas and his paintings can be seen all over the world from New Zealand to Hawaii - with many telling a story of the area where they are positioned.
Pugh is used to people's amazed reactions when they pass his murals. He said: 'They say "wow did you see that. I thought that was real."
'Public art can link people together and stimulate a sense of pride within the community. These life-size illusions allow me to communicate with a very large audience. It seems almost universal that people take delight in being visually tricked.'
Pugh is currently working on a mural for a police station in California and also one for a recreation centre in Calgary, Canada.
Typography for Lawyers
23 July 2009
17 July 2009
14 July 2009
A Home Cooked Meal for the Family
I was unable to find fresh black truffle at several of the gourmet stores I went to when shopping for this meal (it's the Great Recession, stupid!), so I substituted a fresh Morel mushroom from Oregon instead. What is not clear from the picture is that the cold soup, a truffled mushroom and potato cream, is served with a hunk of black truffle butter which is under the cube of Parmasean cheese at the center of the photo. The hot potato spheres provide a surprising contrast in temperature for the diner.
The next course was a Roulade of Duck Breast with Creamed White Sweet Corn and Morel Mushroom Sauce, another French Laundry recipe, which I very much enjoyed. The photo shows the dish just before it was finished with a glaze and some black Hawai'ian sea salt.
The dish was simple in its ingredients, pleasing to the eye, and tasted fantastic, with lots of good contrast in flavors.
For the next course, I made a small portion of Seared Salmon with Salmon Skin Chicharon that was based on something I had tried well over a decade or more ago from Chef Michael Trama.
At this point, dinner was to continue with the final course, Porcini Encrusted Lamb, but even with the far smaller portions that I had prepared compared to what I would prepare for other parties, my diners were already quite satiated, so I skipped this course (more for me over the next few days!). It is interesting to note that our family, a family known for its great appetites, has matured and continues to winnow down portion sizes as we all are increasingly conscious of our health.
No meal would be complete without a salad, but rather than the normal leafy greens, I wanted to use it as a palate cleanser between the main course and dessert.
To that end I presented my guests with this frozen salad of spinach, romaine lettuce, and arugula with a sherry and walnut vinaigrette. This tart entre'act definitely cleansed the palate quickly, but also challenges everything you know and expect from a salad from its ice cold temperature, to it crunchy crystal texture.
To bring the meal to a close I served a Chocolate meringue cake with Rose Cream andRose Granitas.
My guests enjoyed the meal, both in terms of taste, and in terms of being entertained by the novelty of many of the dishes. Watching them be entertained by the final preparation of the dishes in the kitchen and then enjoying the results at the table was a great reward for me, and made all the hard work definitely worth the while!